Now that I’ve covered all the Gabriel-era Genesis albums, all you prog-heads out there may wonder why I even bother to continue. It’s true that the band would never quite reach the same kind of gonzo creative apex it did in those works, and the edginess in The Lamb Lies Down on Broadway in particular is singular. However, the history of Genesis has all sorts of interesting winding paths and dips, and we’re now entering one of the weirdest: the two albums after Peter Gabriel but before guitar virtuoso Steve Hackett left. While it must have been a chrysalis period at the time, in hindsight these two albums feel surprisingly even.
That’s not to say that the 1976 production A Trick of the Tail avoids feeling like a watered-down Nursery Cryme, but it’s more solid than you might expect. Out of all the different ways forward the band considered (and they considered many, including becoming a strictly instrumental outfit with no lead singer) this was probably the best to go. It feels more natural than you might think, even though it’s a step backwards in some ways. Instead of an attempt at a sprawling concept album, the band decided on a twee Edwardian short story collection approach, lighter and snugglier than their previous works but with some moments of menace. The album cover sums this up perfectly, with a bunch of kooky monsters, crooks and eccentrics waiting in line for their turn in a tableaux that makes me think of those old-timey Hendrick’s Gin ads.
Crack open the spine and let’s turn the page on this musty anthology. One thing I’ll say, you better start doing it right.